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A Jitney Elopement (1915) - Video On Demand

  A Jitney Elopement - Chaplin the perplexed hero.  

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A Jitney Elopement - Movie Review

A Jitney Elopement was Charlie Chaplin's fifth film for Essanay Films. It starred Charlie Chaplin and Edna Purviance as lovers, with Edna wanting Charlie to take her away from an arranged marriage her father (played by Fred Goodwins) had planned for her. Charlie does take her away in a jitney, a popular name for the Model T Ford in the United States between 1914 and 1916.

Chaplin's girlfriend Edna Purviance is about to be forced by her father to wed the wealthy Count de Ha-Ha (Leo White), whom neither has met. Chaplin, dropping by for a visit, stands below her bedroom window whistling for her. She tosses him a note from the Count, announcing his visit and pleads to be rescued. Chaplin impersonates the Count and is welcomed by her mercenary father. He's given drinks and cigars and sits down to lunch with Purviance and her father.  Chaplin pulls off the impersonation until the real Count arrives.

Chaplin steals Purviance away, dispatching Count and father, along with a couple of cops. The fleeing couple steal the Count's jitney, and lead Count, father and cop, now following in a car they've taken, on a merry chase. The chase leads them to a pier, where in a clever stop-motion photography scene, the cars jockey about until Chaplin bumps the other car off the pier and into the water.

A Jitney Elopement Trivia - Did You Know?

Charlie Chaplin made sixteen shorts for Essanay Studios (1915-16). Chaplin had created his famous Tramp character a year earlier at Mack Sennett's Keystone Studios. At Essanay, Chaplin refined the Tramp into the lovable character that would become the best known figure of the Silent Era. A Jitney Elopement was made in San Francisco and includes scenes of San Francisco's Golden Gate Park and the large Windmills still in the park's westside. Its theme of impersonation was one Chaplin had used before in Caught in a Cabaret and Her Friend the Bandit, and would use again in The Count and other films.

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