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The Battleship Potyomkin (1925) - Video On Demand

  The Battleship Potyomkin - The Battleship Potyomkin  

THE BATTLESHIP POTYOMKIN WATCH NOW

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The Battleship Potyomkin - Movie Review

Considered one of the most important films in the history of film, as well as possibly Eisenstein's greatest work, Battleship Potemkin brought Eisenstein's theories of cinema art to the world in a powerful showcase; his emphasis on montage, his stress of intellectual contact, and his treatment of the mass instead of the individual as the protagonist.

The Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It is a fictional narrative film meant to glorify a real-life event that occurred in 1905, the Battleship Potemkin uprising, when the crew of a Russian battleship rebelled against their oppressive officers during the Tsarist regime.

Deliberately written as a revolutionary propaganda film, Eisenstein used this film to test his theories of "montage". The revolutionary Soviet filmmakers of the Kuleshov school of filmmaking were experimenting with the effect of films on the audience, and Eisenstein edited the film in a way that would produce the greatest emotional response, so that the viewer would feel sympathy for the rebellious sailors of the battleship Potemkin and hatred for their cruel overlords. In the manner of most propaganda, the story was written in a very simplistic fashion, so that the audience could clearly see whom they could sympathize with.

Eisenstein's experiment was a mixed success and at the time Potemkin was not a hit with Soviet audiences. It was also released in a number of venues around the world, where audiences responded positively. Although, in both Soviet Union and overseas, the film also shocked audiences not because of its political statements, but because its use of violence, which was considered graphic by the standards of the time

The Battleship Potyomkin Trivia - Did You Know?

Nazi propaganda minister Joseph Goebbels called Potemkin "a marvellous film without equal in the cinema ... anyone who had no firm political conviction could become a Bolshevik after seeing the film." The most famous scene from the film, the massacre on the Odessa Steps, was perhaps the best example of Eisenstein's theory on montage, and ironically may have influenced many of Leni Riefenstahl's similar images in Triumph of the Will.

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