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M - Eine Stadt sucht einen Morder (1931) - Video On Demand

  M - Eine Stadt sucht einen Morder - Fritz Langs M  

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M - Eine Stadt sucht einen Morder - Movie Review

M is considered to be Fritz Langs masterpiece work and is certainly the peak of German Expressionism. M - Eine Stadt sucht einen Moerder (M - A Town Is Looking For A Murderer) is a disturbing story of a child murderer who is hunted down and brought to trial by Berlin's criminal underworld.

In M, the abduction and death of a number of young girls by a serial killer Hans Beckert, played by Peter Lorre, has the city living under a shadow of terror that provokes a wave of paranoia and hysteria. The police are keen to do everything in their power to find the murderer and the criminal underworld find their activities disrupted by the increased police activity. The main criminal organisations band together and decide to tackle the problem themselves using the vast network of beggars to monitor any strangers approaching children and eventually do so, branding his coat with the letter 'M' for murderer. In the film's climax, Beckert, facing certain death at the hands of an underworld kangaroo court, makes an impassioned speech declaring that he can't control his violent urges. The monologue ends with the famous line "Who knows what it's like to be me?".  M was based on the real-life case of child-killer Peter Kurten, the "monster of Dusseldorf," whose crimes of the 1920s were still recent enough to resonate in the viewer’s mind at the time of it's release.

A great deal has been said about the fact that this was Fritz Lang's first sound film and his complete mastery of the new medium. Lang used sound as if it were another visual element, editing it freely. Notably is how Lang used the design of sound to overcome space and time issues. Through his use of dialogue over the visuals, time collapses and the audience moves all about the city with greater ease than if he had straight-cut the visuals.  Most important, though, is the sense of doom that colors the film, a fatalism Lang renders through chiaroscuro lighting effects and enormous high-angle shots that suggest a malevolent spiritual presence hovering above the city and guiding its citizens to their doom.

M - Eine Stadt sucht einen Morder Trivia - Did You Know?

It’s generally agreed that M was critical in hastening Lang’s departure from Germany in 1934. The Nazis weren’t thrilled by the film’s original title, Murderers Among Us; they assumed it was about them. It was for that reason that Lang changed the title to "M", for murderer. Of course, in a sense they were correct. M is about much more than the landscape of an unbalanced mind. With its palpable air of dread and its direct indictment of mob mentality, the film draws with frightening precision the dark contours of Nazi groupthink. The Nazi party banned the film in 1934 and parts of the film were appropriated by the Nazis in their propaganda film "Der ewige Jude" (The Eternal Jew) contorting Peter Lorre's soulbaring performance for anti-Semitic ends.

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Recent Comments

On 18th December 2006 at 12:30 iliana said:

An excellent film. Also, clocks, foot falls, etc. make up an eerie cacophony to give you chills. You can see Lang's fascination with the

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